PASOS: Video Installations by Marsia Alexander-Clarke is a solo exhibition that features a series of video works and digital prints on stretched canvas that are based on recorded imagery in Alexander-Clarke's garden. The images are made abstract via small cropped cells of recorded video material which Alexander-Clarke calls "marks" in loose reference to the mark in drawing and painting. Alexander-Clarke is interested in developing silent video pieces similar to notated musical compositions with the use of small fragments of recorded video material.
In the exhibition HORIZON/S, Matt Lipps focuses on source material from the American arts and culture magazine, Horizon, which debuted in September 1958. The publication provided a popular visual platform, disseminating various art historical narratives, especially the grand arc of Modernism. Focusing on the first decade in print, Lipps carefully cut out images from vintage issues and curated these selections into unifying groups that betray the original context and meaning of source imagery. These groupings were then lit and re-photographed into complex tableaus that rupture historical and cultural narratives about how we relate to images, artifacts, and the collections that help us interpret them. HORIZON/S is Matt Lipps’ first solo museum exhibition and the first time that the entire HORIZON/S body of work has been exhibited together. Matt Lipps: HORIZON/S was organized by UCR California Museum of Photograhy, and curated by UCR ARTSblock Exhibition Designer Jeff Cain. An artist talk was held on July 28, 2012 with Matt Lipps and Jeff Cain.
PASOS: Video Installations by Marsia Alexander-Clarke is a solo exhibition that features a series of video works and digital prints on stretched canvas that are based on recorded imagery in Alexander-Clarke's garden. The images are made abstract via small cropped cells of recorded video material which Alexander-Clarke calls "marks" in loose reference to the mark in drawing and painting. Alexander-Clarke is interested in developing silent video pieces similar to notated musical compositions with the use of small fragments of recorded video material. The exhibition was organized by the UCR California Museum of Photography, and curated by Tyler Stallings, Artistic Director, UCR Culver Center of the Arts. An artist talk was held on July 28, 2012 between Tyler Stallings and Marsia Alexander-Clarke.
PASOS: Video Installations by Marsia Alexander-Clarke is a solo exhibition that features a series of video works and digital prints on stretched canvas that are based on recorded imagery in Alexander-Clarke's garden. The images are made abstract via small cropped cells of recorded video material which Alexander-Clarke calls "marks" in loose reference to the mark in drawing and painting. Alexander-Clarke is interested in developing silent video pieces similar to notated musical compositions with the use of small fragments of recorded video material.
PASOS: Video Installations by Marsia Alexander-Clarke is a solo exhibition that features a series of video works and digital prints on stretched canvas that are based on recorded imagery in Alexander-Clarke's garden. The images are made abstract via small cropped cells of recorded video material which Alexander-Clarke calls "marks" in loose reference to the mark in drawing and painting. Alexander-Clarke is interested in developing silent video pieces similar to notated musical compositions with the use of small fragments of recorded video material.
Ethan Turpin: In this podcast, Ethan Turpin discusses his exhibition “Stereocollision.” With this exhibition, Turpin has created a wide array of surreal stereographic images which comment on such weighty issues as environmental protection, cultural oppression, and theoretical history.
